studio without walls…

My year of a ‘studio without walls‘ is going very well. Of course the beautiful weather contributes to working on anything outside, but that has not kept me from sketching and drawing on location whether it be camping or nightclubs. I laughed when I recently read an article where the author posed the question, “In this age of digital media, are we taking too many pictures?”

I confess, I still take lots of pictures, but I do reference them and often. But executing a drawing, or painting while on location is an entirely different experience.  It’s immersing yourself in the scene, looking very, very closely at your subject, taking in the overall feel of the space and environment. It appears to be  a much more personal moment than the camera in that the  result  captures the ‘hand of man’ in a way that is undeniably tied to the artist.  Mostly it’s the knowledge that ‘time’ plays a very specific role in a drawing or painting, and rarely do people recognize the time it takes to survey a scene, find a unique point of view, and then capture a moment that will be lost in an instant with a camera. What most people fail to recognize is the time it takes the person behind the camera to make the decision to snap that image. Maybe what I am talking about here is intention. A photographer has a deeper intention behind the lens than the masses of people behind their smartphones,  iPads, and digital cameras . So perhaps to answer that authors question, ” … are we taking too many pictures?”  I would say –  yes. At least without the proper intention.

But I am  also speaking from an artists’ point of view. It cannot hurt to consider  for a moment, what you miss when you are busy trying to ‘get the shot’ instead of experiencing the moment more deeply.  Be mindful that you don’t substitute the moment for the shot. Try at least to be in the moment, locking it into  memory and then taking the shot. Don’t remove yourself from that moment where you have connected to something meaningful. To lose the experience but freeze the moment seems like cheating yourself out of life.

My ‘studio without walls’ year is waking me up again in a most stimulating way. My feet rest solidly on the ground and I’m finding great pleasure in experiencing moments in a very deep and thoughtful way.

PHOTO CREDIT – Sarah Cowen  ( shot with the most excellent intention)