I have been remiss. But I’m back and there is a gap as wide as the Grand Canyon including a move a year ago from Reno, Nevada to Fredericksburg , Texas.

So, to make a long story short, I am about to open my own gallery/studio by the end of May in Johnson City, Texas. I hesitate to post any pictures until the place gets it’s new facelift and I’m all settled in. But I may break down and post some teasers if I can’t hold back from excitement. Let me just say that it has been quite a year and i owe much of the success to my friend Linda Haddock who owns ECHO , in Johnson City, and was good enough to house Studio Massaro within her fabulous big building at 100 Nugent Avenue for this past year. Without her encouragement and great location in the up and coming new art community I would not be having the success I have been enjoying and now this next big step.

If you have been following my journey on this website, this next comment should come as no surprise … to end is to begin.

As the last warm days of the year fade away I am happy to announce the work is done on loading up the art from my last show, THESE FOOLISH THINGS. Good work takes time, and not just the creation of the work, but the telling of the story and the website design of sharing it is no simple task. Having spent the summer resting my mind, renewing my creative energy and just enjoying the rhythm of every day, I can feel the rumblings of my next body of work. Until then, please enjoy the show under the ART tab.

“REST IS NOT IDLENESS, AND TO LIE SOMETIMES ON THE GRASS UNDER TREES ON A SUMMER DAY, LISTENING TO THE MURMER OF THE WATER OR WATCHING THE CLOUDS FLOAT ACROSS THE SKY, IS BY NO MEANS A WASTE OF TIME.”

John Lubbock, The USE of Life

Grace told me this was her favorite piece.

(photo by Kevin Tully)

My perfectly wonderful granddaughter, Grace Ann attended my opening. I hope someday she will remember that night, when I am old and ‘grayer’ (hard to picture more gray) and too old to pick up a brush, or assemble a collage. Maybe there will come a day when I am sitting in a big comfortable chair, watching her make art for my old eyes.

(photo by Kevin Tully)

The opening of These Foolish Things seems like only yesterday, but time has flown by and my hasty departure only one day after the show left me with  many things undone. Mostly the chance to thank everyone who not only made the opening a wonderful and successful evening, but helped in any way before , during and after. That includes all the lovely volunteers at The Kerr Arts and Cultural Center, friends and family, my secret lettering artist,  Kevin Tully and especially David Smith for taking down the show in my absence and getting it all safely back into crates and storage. I thank ALL my special art patrons and hope you will enjoy your new purchases… it is an honor to sell a piece of art.

I am embarrassed to say I still am not prepared to post the full body of work on my site, as I’m at the mercy of those with technical skills that are beyond mine though I do hope to have it up by the end of this month. Good things take time you know.

In the meantime, I will attempt to post a series of shots on my blog taken by Kevin Tully, who graciously volunteered his talents on opening night.

With endless thanks again to all!

(photo by Kevin Tully)

In your first year of art school, most often there is something called a foundation program. In FOUNDATIONS, students are exposed to a little bit of every major the school has to offer, from ceramics to painting. By experiencing the basics of all the arts, you get to see what medium best suits your creative voice and leanings. By your sophomore year it is time to declare a major and your corse of study becomes an intensive in that area. I hated making that choice. I was loving everything still, including photography. But choose I had to, and I majored in painting with a minor in printmaking and still loving everything else. What I have learned over many years of art making, is they are all connected, all wonderfully related, and I did not have to ever choose one over the other. I do not profess to be a learned photographer by any means, but when you see the world through an artist’ eye, how you choose to portray it, is secondary. Some famous artist once said this about MONET.

“He’s just an ‘eye’. But what an ‘eye!”

This is how it is with the arts. Your viewpoint, your eye is what best tells your story. Draw, paint, photograph, sculpt, build… how you create, and what you create is secondary to what you uniquely see. Make it your own.

This photograph I have featured was honored for the director’s award at the A Smith Gallery , in Johnson City, Texas. I took it on a trip to Florida a number of years ago, and entered it in this show that had a ‘travel’ theme.

The juror was Alison Wright and I could not be prouder to have the piece both accepted in the show and honored by the gallery directors, Amanda Smith and Kevin Tully. The A Smith Galley exhibits the work of both professional and amateur photographers. See the entire show on line at their website ( asmithgallery.com)

After I survived my formal education, I went on to many years of art school in the form of a BFA and an MA. What I learned from my art school years, was that ART was a verb, not a NOUN. It is something that runs like a thread through your life – sometimes a tangled mess, sometimes beautifully woven into something that helps you articulate what words could not express.

I have chased life through my art for enough years now to know better than to rush through the time needed to process an idea. In fact, I find myself doing far more processing of late than art. I found this disturbing initially. Ideas and images would come and go as inspiration for a new body of work. An idea would blossom and fade overnight. Even more fleeting was the actual need to physically stand in front of my easel and paint. I found myself going through the motions of creating an entire work in my head. I would visualize standing in front of the completed piece and be quite pleased with the result. All this …in my head. For a while now I have had no inclination to go beyond that satisfaction and have been secretly hiding my ‘painting -in-my-head’ world.

I finally shared my ‘secret’ recently with a close friend who never judges or finds my ramblings in life odd or out of character. Her calm acceptance of my explanation gave me a grateful sense of relief. Then, almost as confirmation, I came across a passage from a marvelous book entitled, Miss O’Keefe, by Christine Taylor Patton and Alvaro Cardona-Hine. The book is a memoir that covers the last years of Georgia O’Keefe’s life through the eyes of her artist/nurse. Here are a few of my favorite passages from this beautiful book.

 … When people asked her did she miss painting, she’d tell them, “Well what makes you think that I am not painting anymore?” She told them she painted in her head, that she could still see the colors inside her head.

“… Art has nothing to do with paintbrushes or ink or graphite or any of the materials that are used to create it; those are just used in an attempt to make the transition from the spiritual to the physical and back again. The magic that is sometimes present in what we call art has nothing to do with those materials. It may have to do with passage, with something made visible by one human being to another.

” We do art a great disservice by having to reduce art to a material plane, to painting, drawing, or sculpture “           

Art has become that thread , invisible or not, that runs through my life. It is in everything I think and do. It is sometimes tangible and other times, like a song in my head for no one to hear or see save myself. And now that I have stopped judging myself over a certain tangible productivity, I get on with following that thread.

There seem to be plenty of articles lately on retaining your memory. As we depend more and more on smartphones to keep all our important information at our fingertips, we rely less and less on our memory. Gosh, I used to have over a dozen telephone numbers as well as addresses (zip codes too) memorized and ready to recall at a seconds notice. No more. I’m mortified to admit (sorry mom) I even have to look up my own dear mother’s phone number, now having grown lazy of mind, since at the push of one button I can dial her automatically. So when I read this great article entitled, ‘  The Power of the Doodle ‘ , it brought back a few important memories that I had long forgotten.

The article pointed out that doodling has the power to improve your focus and memory. This increases both the focus and attention you pay to your doodling. It can serve to increase your memory retention during that time so engaged.

Flash back to my 5th grade book report on the explorers. I had chosen Sir Frances Drake. It was my first serious book report and in all honesty I found Sir Frances Drake fairly dull subject matter. I remember discussing the assignment with my mother, who always seemed to know how to bring out the artist in me. (thanks mom!) She suggested I write the book report in a diary style, which I did, but then found myself adding doodle illustration drawings in the margins of the paper. Little wooden sailing ships. Antique map details. Things that helped to illustrate his ocean voyage, which suddenly became much more interesting to me now that I could connect to his journey through my doodles. I got an A+ for my efforts. God bless my teacher for not deducting points for drawing on my book report.

Now I’m in junior high school. ( still don’t know how I lived through that) I’m in Mr. Michael’s American History class and he is droning on and on about the French Revolution as I desperately try to stay focused. Mr. Michael’s was always kind enough to tell us that the test we would be taking would come directly from his lecture, so paying attention and good note taking was imperative. I’m listening to his words, but not looking up as I am doodling Marie Antionette’s head, cakes, and peasants in rebellion when I hear my name being called out…loudly.

“Miss Massaro, would you please care to share with me what is more important than what i have to say!?”

I just about fainted and now am about to be called up in front of the class to show that I am sketching instead of note taking. Public humiliation 101. I hand him my crazy looking notes with my weird little doodles in between historical facts, ready for the humiliation hammer  that is about to fall. Instead he hands it back to me and says,” Well, I am very happy to see someone is paying such close attention to my lesson.”

God bless you Mr. Michaels for seeing that I learned a little differently than other kids and keeping me on my young creative path.

I was red faced by the attention, but so relieved that I did not get chastised in front of my peers.

Art vindicated me again and I passed the test too. It seems the power of doodling indeed helps you focus. Not only that, it enriches the information you are surrounded by in a very physical manner.

I still doodle. As an artist it’s called sketching. I do it in any setting, anywhere I find myself bored or inspired. Boredom can often lead to inspiration. Sitting in the audience while my husband plays is no where near as interesting as being up there playing. So I draw. I sketch. I doodle. I am intently involved in not just the music, but the players, the audience and the environment as a whole.

I had no idea where I was going in my life back then, but others might have seen what was ahead for me. My mother, a few good teachers. We can never underestimate the influence one kind or encouraging act can have on a persons life –  at any age.

Let’s just keep passing it on and on. What a difference we can make, whether we know it or not.

It‘s hard to know when to stop.

There is a movement afoot to lighten our loads. I think we are beginning to be overwhelmed by the burden of our possessions. It’s natural for this to happen when you get older , as with my generation, but I think the young are seeing it too. It’s evidenced in the ‘tiny house’ movement, the move to apartment living instead of home ownership, and the ever growing recycling movement. Recycle, reuse, repurpose.

It’s hard to know when to stop.

Supersze. Big Gulps. Big Macs. Double stuff. Double toppings. Tall, Grande, Venti, Trenta!

It’s hard to know when to stop.

I make art. Lots of us do. It stacks up. Some of it sells, some of it doesn’t. When it doesn’t, it stacks up. How do you stop doing something you are compelled to do? Do you put yourself on an art diet, like you would with food. Simply stop creating certain things that add to your stockpile? Do you limit yourself , like with a tiny house, to making only small works? It’s a quandary for the creative soul.

It’s hard to know when to stop. 

If ancient sailors had not set sails, the world would still be flat.

If Van Gogh had stopped painting, there would be no Starry Night.

If the wheel had not been invented there would be no modern transportation.

If Bob Dylan had stayed acoustic there would  be no Subterranian Homesick Blues.

It’s hard to know when to stop.

There’s no easy answer for those driven to create. I don’t have one yet for myself anyway. Like a junkie, I often wish I could just stop. Lay it down and watch life go by. I even tried it once. It only lasted for a few years, and then it came back in spades, like the floodgates of creative hell. I have learned to pace myself a bit more, but that is mostly a function of  maturity and experience.

It’s hard to know when to stop.

I await a sign. If I went blind, would I sculpt from memory? If I lost my dexterity to arthritis would I fight through the pain and carry on?

If I lost my joy of life, would the creative spark die with it? I have no answers … I guess I will find out in time, because for now...it’s hard to know when to stop. 

Getting out of your own way in life is no easy task. I’ve had lists of things that I wanted to do, achieve, see, make etc. And I’ve had lists of thing I swore I would NEVER do. Never say never. Next year I am crossing some oceans to do something I swore I would NEVER do.

Take a trip on a cruise ship.

 I swore to never set foot on cruise ships, convinced I was too germaphobic to not get deathly ill. Then an intriguing invitation came for a trip entitled –  the  MUSE CRUISE. The title had me intrigued. It is being hosted by an artist and coworker from my early days. The cruise is for women creatives from all walks of life. Painters, photographers, writers, jewelers , poets, and I’ve heard rumors of ranchers and homemakers, all wanting to walk a creative path. The trip has a workshop in creative journaling and docks at some fabulous caribbean ports of call. With the exception of one country, I have never been to all the others.  It includes one very tantalizing spot that is on the list of the 7 Wonders of the World. It’s a bargain for a week filled with all the energy that being surround by interesting, creative women from all over the country might afford. The MUSE Cruise is calling, and I must go! This continues my studio without walls odyssey, and gives me yet another opportunity to ’embrace the horror’ and get out of my own way in life. What’s the worst thing that could happen? I’m choosing to think about all the great things that will happen!

” …if you lead an interesting life, you’re on track to make interesting art. Your job is to put yourself on an intercept path with interesting experiences.”  Ted Orland from The View From the Studio Door